PRINTMAKING / MONOPRINTING
Influenced by lockdown restrictions in 2020, I experimented with monoprint by testing different brands of ink and watercolour paper for their durability when printed and "rinsed" or "washed out" multiple times.
Developed with experiments of layering and abstraction to disrupt my control of the original monoprint image, this technique attempts to imitate the way the mind can influence and distort the recollection of memories.
Developed with experiments of layering and abstraction to disrupt my control of the original monoprint image, this technique attempts to imitate the way the mind can influence and distort the recollection of memories.

trial #3, 2020
Detach︎︎︎ is body of work developed in 2020.
These records are extracted from dreams, I have incredibly vivid dreams that often flow on from each other. I love documenting this subconcious world and seeing influences and their evolution.
Still recording, I look forward to having the time to create my next series of monoprint dreamscapes.
These records are extracted from dreams, I have incredibly vivid dreams that often flow on from each other. I love documenting this subconcious world and seeing influences and their evolution.
Still recording, I look forward to having the time to create my next series of monoprint dreamscapes.


demonstrating two pulls of the same “monoprint”
running late, 2021
running late (wash), 2021
Monoprints on Watercolour Paper
21x29.7 cm





#1621, 2021
#1721, 2021
#1821, 2021
waiting (crop), 2020
Monoprints on Watercolour Paper
21x14.8cm
#1721, 2021
#1821, 2021
waiting (crop), 2020
Monoprints on Watercolour Paper
21x14.8cm

One day I hope to better document, collaborate and share the practice of the wonderful people in my printmaking community. I believe sharing knowledge, our experimentation and building our community is of upmost importance in our fractured digital age.
See other layout projects here ︎︎︎
︎ INDESIGN + PHOTOSHOP
︎ Layout, Formatting

+ internal pages also blurred for copyright protection
Detach, Behind the Process
Designed by Eliza Gwynne
Research Project, Book Layout (30pgs)
(Digital Mockups)